![]() ![]() Outside of an opening quote from Mark Twain that reads “I’ve lived through some terrible things in my life, some of which actually happened”, nothing untoward is even hinted at. It is a well-made and well-acted drama, brought to the screen by artist and filmmaker Sam Taylor-Johnson and her actor husband Aaron, who plays Frey, but curiously excludes everything about the book’s post-publication journey. Thirteen years after that infamous Oprah interview, broadcast months after she had effusively praised Frey’s book and turned it into a phenomenon via her book blub, A Million Little Pieces has been adapted into a film. The most captivating element of its existence is the noise that surrounds it – the accusations that it was largely faked, despite being marketed as a memoir, the literary-world war of words over its editing, and the piercing, terrifying glare of Oprah Winfrey, who elegantly destroyed Frey on live television over his apparent betrayal. It is also the least fascinating thing about A Million Little Pieces. ![]() James Frey’s A Million Little Pieces is a sprawling and manic novel about addiction, survival and redemption. ![]()
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